Sid Smith front page

 

 

 

 

WINTER FLY

 

January –

But a blue sky

Wakens this fly

From some narrow winter sanctuary

 

And black, fat, out of season

It tups our windows with a warty snout.

Oh put the horror out –

Let the rasping demon

 

Die

Adoring the flawless winter sky.

 

 

 

 

TO MY YOUNG WIFE

Written in her Christmas card

 

She buys these flimsy clothes and shoes,

Unsuited to our northern skies.             

She has a secret dream to use

These follies where her future lies.      

 

She’ll taste a hanging wreath of vine

And sniff the hidden truffle place

And tread her meadow’s boundary line  

In floating silk and trailing lace.         

 

She’ll sleep till noon and talk all night    

With easy tears or heathen joy.

She’ll be the postman’s sly delight

And terrify the baker’s boy.               

 

Her crazy sisterhood will tell

Tales from the whole world wide 

Of faithless men they loved too well  

And kindly men they cast aside. 

 

“Alas, les dames folles come once more,”

The town will cry to see them call,

And lock the church and close the store –

And she’ll be the maddest dame of all.   

 

Shake out this lace and shout, “Ah oui!” 

Put on these foolish shoes and dance.

Oh but I love to think of thee

Glad in the golden fields of France.

 

 

 

 

CENTRAL RESERVATION

 

Most nights,

In the glare of oncoming lights,

A thing I refuse to feel

Tugs my hand on the wheel.

 

Some rage or loss

Perhaps, and I think to cross.

 

 

 

 

HUNGOVER

 

To drink is to borrow

Joy from tomorrow.

Now who’ll repay

My great loan to yesterday?

 

 

 

 

THE POET’S PRAYER

 

Let the bitch, Success,

In her red dress

With a glass and a laugh and a smeared kiss

Briefly a friend for life

Out-shout my wife

Who says, “We can’t go on living like this.”

 

 

 

 

TIGER, TIGER, NOT SO BRIGHT

 

Gorillas

Understand mirrors,

And brush off grass

Stuck to the cheek of their ass.

 

Less clever

The tiger, however,

Overlooks little

Bits of stuff unless they tickle.

Unreflective, he’s

Inseparable from what he sees:

Today he ate

His hate;

Tomorrow he’ll feed

On greed.

 

Below

His red paws come and go.

His ear is which

Breeds an occasional itch.

And fleas attack

What he does not know is his back.

 

But his idiot head

By divine right strikes us dead.

 

 

 

 

A LANCASTRIAN’S TERROR OF TODMORDEN

 

God keep us out of Todmorden

Where folk will stand you drinks and then

A pickled egg – excepting when

They’re Yorkshiremen.

    For Tod, astride the Calder’s banks,

    Is half in Yorks and half in Lancs.

    Oh Todmorden, oh lord, no thanks.

 

In Todders folk will say, “Well met!

How’s t’gout? Are’t courting yet?

They’re open: shall us have a wet?”

Or sell their kids on th’internet.

    They’ll greet you with “Ey up! Grand morning!”

    Or kick your shins with zero warning

    Depending on which bit they’re born in.

 

Oh Todmorden, oh fearsome spot

Where folk will give you all they’ve got

To ease your lot

Or maybe not –

    For even when they’re worth a mint

    Yorkshiremen will say they’re skint

    Then scurry off to skin a flint.

 

Oh Todmorden, oh fearsome site,

Where folk are breezy, blythe and bright

Or else prefer their roses white

And wads shut tight.

    They’ll say “God bless you” when you sneeze,

    Or else forget their “Ta” and “Please”

    Then creep away to pare a cheese.

 

For Todmorden’s two-faced like Janus:

One bloke does owt to entertain us

The next along need not detain us,

The anus.

    So Lanky Todders, grab your bikes

    And flee this tribe that no one likes,

    The Tykes:

 

    Whose scowls inspect us

    And then reject us;

From Todmorden, oh lord protect us;

   Whose smiles unnerve us,

   Who don’t deserve us;

From Todmorden, dear god preserve us!

 

 

 

 

AN ENGLISH SPINSTER, 1928

 

“Having lost their men, Englishwomen busy

 themselves with mankind” – Benito Mussolini

 

We are the patient sisterhood

Of church bazaar and village hall.

We spend our lives in doing good.

We sweep the nave. We tend a stall

    With penny scones and ha’penny teas

    For the poor heathens overseas.

 

We are the ones who knit and bake,

Who calm the old and soothe the sick.

Down every lane for Jesus’ sake

Our bicycles go tick, tick, tick.

    And willingly we lend a hand

    For orphans in some distant land.

 

So when the squire or vicar says,

“I knew we might rely on you,”

Unruffled at that fearsome phrase

We bow the head, we vow to do

    What only Englishwomen can

    To ease the cruel trials of Man.

 

Thus engaged we do not miss

The comforts of the married state.

Girls in so-called wedded bliss

With husbands plainly second-rate

    Unwillingly at last will learn

    The best of men did not return –

 

But thought of “England, home and beauty”

And marched to meet the wicked Hun.

Each unflinching to his duty

Faced the fatal gas or gun,

    And dreamed, perhaps, that there might be

    A girl, in England, much like me.

 

 

 

 

MY NEW WINDOWS

 

Where the autumn wind whips round

Four floors above ground

I’m an old man upside down.

 

Storms in the far north 

Gather for their going forth,

And since such beasts can slip

A blade through the least nick

No mere measuring will do

To make my windows tight and true.

 

Therefore I hang

And shape and shave and smooth and sand –

Quickly, quickly, since I race

The planet’s winter-turning face.

 

Yes its old face turns winterward

But still my darling will be warm

If I’m away, and can’t get home.

 

 

 

 

AT RING O’ BELLS

 

This is the English light, I like to think,

That showed our fathers’ fathers when they made

Canals lacquered with sky, rails that gripped   

Distance in cutlery – and cast their grain,

    For the green splash patient. At their bucket’s brim,

    The gleaming mirror reeled but did not spill. 

 

Shadowless light! Here where their furrows rolled

Over like swimmers its straight-edge lay;

Their file found it under rust; it rode

The new nail hammered home; and blazed 

    Spat in the ditcher’s hand. Pacing his map,      

    Bright dividers mocked the sailor’s step.

 

But look: mum is coming from the cancer wing. 

On this canal bridge her neighbour says,

“Crows crossed your roof today. I think

Your man can’t live.” And the x-ray stain,

    Black birds, and wicked old poisoner of light

    Were right, were right.

 

 

 

 

ILFRACOMBE

 

(Burying a coffin displaces a coffin-sized volume of earth, which must

be wheelbarrowed away. At Ilfracombe cemetery, this was a long

haul. When we buried someone in their spouse’s grave, we

smashed in the old coffin to fill it with earth)

 

It must have seemed like Judgment Day, the din,

When me and Charlie stamped their coffins in –

    But yet they did not stir, despite

    Torrents of the long-lost light.        

 

Now I am old. I see these sleepers will

Keep their council underground until

    Charlie, me and worlds are gone.

    Undeceived, they’ll slumber on.

 

 

 

 

MY WIFE IS BEAUTIFUL AND I AM GLAD

 

Written in her birthday card: July 16, 2010

 

You say that beauty lasts a day.

I say a day’s what we inhabit.

The fact her beauty cannot stay

Confirms how wise I was to grab it.   

So though her looks are merely mortal

I’ll frolic like a love-struck lad                        

And seize the fleeting joy and chortle:           

     My wife is beautiful and I am glad.          

 

You say I mustn’t judge her worth

By chance genetics. But you see,

I merely like her lucky birth:

I love the way she married me.

And though this disconcerting kindness

Makes you shout, “She must be mad,”        

I celebrate selective blindness:              

     My wife is beautiful and I am glad.

 

It’s true we make a funny twosome,

She all loveliness and I

An ancient wrinkled wart, so gruesome                                                                             

You declare, “In god’s name why?”

But I reply: This silly spite,    

Resenting what you’ve never had,                

Promptly doubles my delight:             

     My wife is beautiful and I am glad.

 

I’m glad, though mortal flesh is sinful

And outer grace defers to inner.         

Of beauty’s balm I’ll sink a skinful

And reel around, a blissful sinner.       

I’m sorry if your wife is ugly.             

I’m sorry if my boasting’s bad.

I’m sorry but I’m sorry smugly:

     My wife is beautiful and I am glad.

 

(With a hat-tip to Clive James’s “The Book of my Enemy has been Remaindered”)

 

 

 

 

LOVE

 

She’s in love with Hate and wants to be alone.

She’s drawing the curtains and locking the door.

When Hate loves her up with a dry old thigh bone,

“Yes!” she instructs him, and “More, darling, more!”

 

Her friends sniff keyholes and rattle the cat-flap.

They listen at drainpipes and climb the wisteria.

Why are two bony footprints pressed in her bath-mat?

What’s that xylophone smile in the dim interior?

 

But she turns from their words with a deaf and a dumb shrug.

This “friendship” garbage they’re shouting fools no one.

With x-ray eyes for humanity’s humbug

She takes Hate to bed for a fast then a slow one.

 

“Oh Hate, my bone idol, you’re past all improving,

Your kisses as cool as a bone china chalice!”

And she begs him incessantly, “Darling, do move in

Your doggie called Danger and moggie called Malice!”

 

And she’s squeezing his hand like a handful of dice,

She’s softly locking her boudoir door.

Her nipples get stiff in his whispers like ice,

And she’s not coming out, no never no more.

 

 

 

 

SONNETS

 

I

 

Remember how we met. Didn’t we each

Laugh at the light in our animal eyes

And smile and pose and see no need for speech,

Both in our pride convinced, “I am the prize –

An accomplished lover, this my small sport.”

So we laughed, and for fancy pleased the beast

Without risk: how could a giver go short;

How could the host not be fed at a feast.

So what brought on this viciousness and glee?

I know: your double-dealing was the start;

Then came the clever cruelties from me,

Till each perceived we held a hostage heart.

    Now with what vigour, what alarms love lives:

    Each day, new ways of killing the captives.

 

 

II

 

Such a bitter delicious wit – except

We grieved a bit that he sneered at his wife,

And she so kindly, smiling, not adept

At spearing with satire a squirming life

As he was. A catlike playing, saying

She was martyred and glad, she stroked the spur;

Laughing, laughing at her more for staying,

Until we grieved, who had not seen like her

This big man, blubbering, down on his knees,

His arms out, follow her down the hall –

His tears, and the hatstand falling, his pleas,

And seen his humour’s finest stroke of all:

    Self-haters disrespect us till we show

    A proper judgment and decide to go.

 

 

 

 

DAVE’S DICK

 

Written in his Christmas card, 2009

 

Cousin Dave, your cheeky wit

Is wasted on a prostate tumour.

The growth that grips your wedding bit

Ignores all pawky northern humour.

    For cancer’s dull – a fool that fills

    Our lives with boredom, pain and pills.

 

In fact the thing itself’s a bore

With cells that replicate and then

Repeat the thing they did before

Then re-enact it all again.

    A carcinoma’s only mission’s

    To grind us down with repetitions.

 

A bore of bores that furthermore,

Settled like a dreaded guest,

Hopes to provoke an endless snore,

To bore us all to boundless rest,

    And feels defeated till it’s drawn

    Our jaw to one eternal yawn.

 

And in the end, when thee and me

Decline in time as all men must

To grey anonymous non-entity,

Homogenised to nameless dust,

    Then cancer knows it’s done its bit

    Since we’ve become as dull as it.

 

So lad, no waggish chat diverts

The blob your knob is nobbled by.

The lump that thumps you where it squirts

Is stumped by that ironic eye.

    Old friend, they’ll mend your end, meanwhile

    We’ve missed that wink, that pirate guile:

    Forget the fool that cramps your style –

    It’s us that need your rascal smile.

 

(Dave Heaton is fine now. I said: “You’re back

to your old self, unfortunately.”)

 

 

 

 

ON THE PROPOSITION THAT ‘PAIN IS TRUTH’

 

I stubbed my toe.

The world said, “Told you so.”

 

 

 

 

MOON MADNESS

 

The moon broke free

From racing clouds and she

Tearing her clothes followed me there

Through the black streets with her mad hair

Till I turned again home –

 

Where I have known

My heart’s safekeeping

But now the woman weeping.

 

 

 

 

FOR HIS NIECE

 

Cruel!

To send little Charlotte to schoo-el.

Let her run about in

Her red hat, laughin, shoutin.

 

                   **

Metre, I suppose, is just the French for yard,

Which is how I walk you to school.

But centipedes and millipedes are hard –

All those little black legs down the edge of my rule.

 

                   **

“My daddy can whistle”

 

With crimson cheek and bulging eye

Your daddy stuns each passer-by.

His Schubert song and Mozart air

Make double-decker drivers stare.

And braking hard on Blackpool Road,

Ten-ton lorries shed their load.

 

Indeed, so cunningly your dad employs

This ancient skill of butcher boys

And farmers in a turnip cart,

The ploughman and the thatcher’s art,

That most of all his talent stills

The local birdlife’s tweets and trills

With angel fluting that equates

Their artistry with squeaky gates –

 

For walking you in Ashton Park

His music mutes the tuneful lark,

And under shrubs on Tulketh Brow

The rowdy wrens are silent now.

 

Oh see that sulking sparrow turn

Resentfully to chew a worm!

 

                   **

Here come the winds of the world

To your lips to be woven to words,

And stars of the sky

Swarm to your eyes

To be looked upon:

Let it be done.

 

Here, these boxes of light

In a line are the days of your life

To be opened on trust:

Yes, and you must.

 

Out on the slope of the globe

Now you will go –

To walk, outwalk, this world, these limbs

Till you are nothing else but movement like the winds

And would cease if you stood

Like the winds would.

 

 

 

 

W.H.S. 1913-1950

 

Father, I might call you son –

You, dead so young,

And I grown old. I picture you

In cap and clogs and boiler suit

Tending the great eight-wheeler,

And me, some hale old wheezer,

Lonely perhaps,

Who stops a while and asks

About the road you’ll shortly take –

With a baffling paternal gaze.

 

But, fond of the young,

Doubtless I’d talk too long –

And might advise,

Being so very old and wise,

The proper, careful course

For some young fellow setting forth.

Eager to go,

You’d only think, “I know. Aye, I know.”

 

So I cannot delay,

Even in dreams, your hasty going away 

Handsome and young –

That made in time a father of your son.

 

 

 

 

ON THE HUBBLE DEEP FIELD IMAGE

 

All gone, those all-wise fools

    Who said that souls

    Cavort on coals                   

Down in the Devil’s dancing schools.

 

And imps will pinch and twist, they said,

    To entertain

    With witty pain

Endlessly the yelping dead.

 

But might those folk have argued thus:

    “Such tireless toil

    With boiling oil –

Oh see Eternity’s concern for us!”

 

Now, drowned and dispersed,

Lost in the vault this light traversed,

    We are the first

    To know death’s worst.

 

 

 

 

AT ST LEONARD’S

 

Cold on the graveyard wall, I sit

Watching till the wheezing sexton says: “Maybe…”

And passes the ledger. Yes, this is it:

Dad; a stray great aunt; some baby – 

    Getting a stone at last. And – as I thought –

    Mum, climbing the sharp hill, brought

 

Grief to the wrong grave for forty years.

Lord what a joke! Her on her knees (my god),

The scissors, kitchen spoon, and doubtless tears,

Titivating that other poor sod

    Also with no stone. Two rows down the hill,

    Dad was thinking: “Gormless. Gormless still.”

 

She needn’t know, I think – she’ll make the climb 

Up that sharp hill only one last time.

 

 

 

 

SONG IN SUMMER

 

Well, for an old man on a summer afternoon

    To sleep is sweet.

Full as skirts, the curtains lift and swoon.

Beside me on the bed a brazen slab

Of bare sun. The clock stares; from the street,

Birds, the cries of children, and a passing cab;

But every interruption comes too soon,

    For with a sigh  

I’ve vowed to let the rowdy world go by.     

 

Lord let this resolve for once hold true.

    Reconciled

I’d drift unthinking through a world made new,

Instead of fearful, disbelieving, bitter

That I never roared, broke glass, ran wild,

Maimed a neighbour, shagged his babysitter, 

Cried ‘We’re dying!’ at the bus-stop queue –

    Too scared to see                          

Death is an absolute, so life must be.

 

Good luck to all such nutters in the gutter              

    Declaring woe.  

Not for me their hopeless furies, but a

Life-long, smirking, cowardly parade, 

Choked with politeness till at last I go

Apologetic to the butcher’s blade,      

Considerately lift my chin, and mutter          

   Last beg-pardons

For my birth, breath, blood, heartbeat, hard-ons.  

 

Therefore this sleeping says, “The world has won.

    Now let me hide.”

This is age. This is what days have done –   

While all those frightened heroes who can smell

Death in obscurity, and suicide                    

In self-restraint, sing in a prison cell,

Punch their children, snivel, steal a gun,        

    While passion roars

Through the house of the heart, slamming doors.

 

No thanks. I’ll wake, sleep and wake once more,   

    To savour sleep.

The clock is twitching through its semaphore,

The sunlit curtain curtseys, flirts and sways, 

But once again I’m diving deep, oh deep.

Calmness like hatred in the clock’s blank gaze

But my answer to its staring is a snore.                  

    Asleep, half waking,                                

Lord let me yawn through the great leave-taking.

 

 

 

 

THE LIZARD

 

Over again this tale is told:

An ancient lizard’s coils enfold

The flawless maiden bright as gold.

 

Handsome heroes once so bold

Lie around him, torn and cold,

For what he cannot have he’ll hold.

 

Pity the maiden unconsoled,

Alas for the lizard grown so old.

 

 

 

 

THERE IS NO BETTER

 

There is no better

Way than mine to don a sweater.

I’m an utter

Genius at spreading butter.

No one but me

Knows how best to turn a key.

Not for toffee

Can you lot make coffee.

 

And when I take a tap apart

With my incisive secret art

Oh what pleasure fills my heart!

 

I will not show you what

Way I tie a granny knot,

Or how I do

That little thing to wipe my shoe

Or drive a screw

And then to have the screw run true.

 

I’ll take my secrets where

Others wait who did not share

Their sly delighted private tricks

For cleaning wigs or swinging picks

Or knapping flints or killing ticks

Or shining swords or laying bricks

Or trimming smoky candle-wicks,

And hid their skill

And hide it still.

 

 

 

 

CLEARING HEADSTONES, BANKSIDE

 

Against the black, cracked, Jack The Ripper bricks

Prop these worn

Milestones on the Glory Road.

 

The Londoners crumbling under them are dumb

With the boss

Of Cockney glottal stops.

 

If any soared to the Lord’s front doors

From their nest of bones,

They’ve long since flown.

 

Licked biscuit-thin in the river wind,

With names

The river rain has wept away,

 

Like well-oiled old bow-legged boatmen sloping home,

Their shoulders roll     

As they rock to the rotten wall.

 

And if the Resurrection robes of those below

Were stopped by a stone toe,

Now they can go.

 

 

 

 

LIFE

 

Life is too long

Oh it goes on and on

I was young but that’s gone

And all day the sun

Shows what I haven’t done.

 

 

 

 

FOR MY FATHER, WHO DIED YOUNG

 

What should I reply –

Lost between living and dead,

Meeting his kindly eye –

If he, insistent, said:

    “How do you fill, my lad,

    Years I never had?”

 

“Oh, sleep and eat,” I’d say.

“Work, too, alas;

And friends in their fond way

Help the years pass.

    Much like, it’s true,

    A million others do.”

 

But what then if he

In the dim daybreak

There by the grey sea

That slides between sleep and awake,

    Seemed with his quiet air

    Doubtful, watching there?

 

I’d say: “Look what I made:

Roads, that railway track;

Seven years with spade,

Sweat, and bent back;

    And books, god knows –

    Though there’s never a shortage of those.”

 

But then, feeling my days

Of thin stuff dismissed

Under his troubled gaze,

At last I might resist:

    “Born provincial, poor and plain,

    I built a life with back and brain –

 

“What more could I give,

What could any man do,

That your old bones might live?

Could I fill the years for two?

    Rejoice how far I came

    With neither money nor name.”

 

But the dawn is silent now.

And I wake to that same task –

To wonder again how

I’d answer what he cannot ask,

    Feeling still that I

    Somehow should reply.

 

 

 

 

UNCLE SIDNEY TUCKS YOU IN

 

    My child, for once I’m feeling kind,

So now you’re washed and dried and goodnight-kissed

And tucked-up snug

With one last hug,

    I’ll soothe your anxious infant mind

With this good news: monsters don’t exist.

 

    Yes, in the night-time children think

Armies of hungry dark come hunting you,

And smell your fear

And creeping near

    Will rip your heart, and eat, and drink.

Now, now, don’t cry: these nightmares just aren’t true.

 

    And if for all your fearful screaming

Dad just stirs and swears and stays asleep;

And even mum

Forgets to come;

    And granny thinks, ‘She’s only dreaming;”

And Uncle Sidney smiles to hear you weep,

 

    Keep calm, my dear, be good.

No scaly horrors come on leather wings,

No dripping jaw

Will eat you raw,

    No ghouls with tubes remove your blood.

So stop your sobbing, child: there’s no such things –

 

    Nothing with hooks in either fist

And gloves of blood to either hairy wrist

Has come to kill you

And splash and spill you,

    And stab and bite and rip and twist.

Good night! Sleep tight! Remember: monsters don’t exist.

 

 

 

 

HOME AFTER CHRISTMAS

 

Our cold house will not forgive us.

Water perks in the pipes but still it is cheerless,

The phone as cold as a conch when we say, ‘Thank you for our lovely Christmas.’

 

How slowly the kettle boils and how its breath billows  

Up to the ceiling, and weeps down the windows

As we hug cups two-handed, in our coats indoors.

 

O house, sulky house, you were left alone

And winter crept in and soaked to your bones.

But wake up, cold house, because your friends are home –

 

Hallooing through the caves of your corridors,       

Dancing  from the toilet on the cold floors

And the bowl was as cold as eskimo ice holes

And we didn’t quite sit in case our bum froze,

 

But we stamp and bustle and hurry about

Into every room and chase the winter out –

So hurry up and stop your pouting, house, O house. 

 

Oh let’s go to bed and leave the house warming,

And snug and warm with only our noses showing,

With our hot water bottles all night snoring,

Then get up all warm and stare out at folk in the cold morning.

 

 

 

 

I SEE A GOURMET

 

I see a gourmet eat his lips,

A waitress carve her fingertips.

The butcher’s window makes me come,

Above a plate I bare my bum,

    And all distinctions stretch like skin

        And thin and thin

    Across the horrors coiled within.

But more and more is best forgot:

My hopes erode, my parents rot.

    The killing years

Demand more scabs between the ears,

    So let me, mounted well astride      

        My turdish tide,        

    Be once again self-stupified.

 

For though the surgeon’s screwing on,

While knowing what he lies upon,

For all his lust it’s certain if he 

Thought at all would lose his stiffie –

    Yet how I always picture this

        Cask of piss

    While sucking up a hungry kiss.

So let me then at least be good

To other blinded bags of blood,

    And try to think

Sick with the stinging charnel stink,

    And swear my love grows deeper, truer

        Though through and through her

    Drains the dismal double sewer.

 

I see we cannot lift our chin

Above the filth we’re buried in.

I see our brains must marinate

In bloody soups of dread and hate.

    I see the warning

Dropped from bottoms every morning.

I see it all through frightened eyes       

    Whose gormless orbs like bubbles rise

        To briefly flit          

    Adrift across a latrine pit.                        

   

Terror ahead and grief behind,

Pray god becloud this raddled mind,

    Half deaf, half blind,

To walk with filthy humankind.

 

 

 

 

HITTING THE WIFE

 

That’s not it.

Never a hit.

No kind of blow so much

As a flick or tap or pat or some such –

 

Though it came

From what I can’t recall or name:

A black roar

Bursting the door.

 

All this on a day

When the woman drives her mate away

With “Old goat.

Bald, thin legs, old turkey throat.”

And I

Wretched, a thorn in her side.

 

We sit now

And hope for peace somehow,

Having known those roaring places

Where the lonely claw their faces.

 

But flick or tap or hit

Yet I admit

The blackness behind it.

 

 

 

 

IRAQ

 

Tony Blair

Says it’s unfair

That people ask him about Iraq:

They should look forward not back.

 

George W Bush

Hot from “clearing brush”

Sits in his Crawford orchard

And thinks of the men he tortured.

 

Tony and W

Said, “Lord, does war trouble you?”

But God had no issues

With the tearing of human tissues.

 

Richard Cheney

Has angina again. He

Says, “For a start,

Don’t say I’ve got no heart.”

 

Barack Obama

Couldn’t be calmer

About Guantanamo Bay.

“What the hell,” he thinks. “Let it stay.”

 

          **

Warmongers

 

“Our neighbours stink,” my dog declares.

Our neighbours’ dog repeats the line.

I leave my dog to shout like theirs

Because they leave their dog like mine.

 

And if they leave their dog thuswise

It proves their dog and they agree.     

I’m glad therefore my dog replies.

I’ll let my dog speak out for me.

 

But oh this shouting night and day

Day and night inflames my head

To hear a dog insanely say   

The thing another dog has said.

 

But still my dog must speak since he

With doggy loyalty defies 

By day and night so doggedly

My neighbours’ dog’s relentless lies.

 

I hate my dog for shouting so

But hate my neighbours’ dog the worst.

I’d love to kick my dog although

My neighbours have to kick theirs first.

 

But oh this shouting night and day

Day and night is never done

And drives my dizzy brain astray

And can’t go on and can’t go on.

 

    **

 

Cheney Limbaugh Bolton Bush,

George John Dick Rush,

Long ago were called to war –

And swiftly hid behind the door.

 

But soon they grew too old to fight

And promptly altered overnight:

“We must endure. Just one last push,”

Say Cheney Limbaugh Bolton Bush.

 

In Vietnam when bullets flew

His comrades cried, “Where’s Double-you?

Oh see behind the door he stands

With John and Richard holding hands.”

 

With current wars they huff and puff

And boldly cry, “We must hang tough.”

But long ago they said, “No no,

Nam’s not for us: the poor will go.”

 

And thus they hid while others died    

And in a final vision cried,                    

“Oh see behind the door, oh see

Bolton’s boots fill up with pee!”

 

Says Bush, “Once settled on the use of force

We’ll see it through, we’ll stay the course.”

The dead rise up demanding, “Who

Is this ‘we’ who’ll see it through?”

 

Cheney Limbaugh Bolton Bush.

George, Dick, John, Rush;

When the bugles blew for war

Swiftly hid behind the door.

 

          **

On the nine Afghan children machinegunned by

a NATO helicopter while gathering firewood, March 2011

 

What brought

This bit of lead to the child’s throat?

 

Here’s what an exile dreamed, a pundit thought;

This is a letter, this what a scholar taught;

Here’s what the statesman said, the expert wrote;

Here they made the gun, here loaded the boat;

Here’s where a general planned, a soldier fought;

 

And here’s what poisons everything they sought –

This bit of lead in a child’s throat.

 

          **

Sick with rage I did not speak

Of Blair’s wars against the weak.

Only now I voice this hate –

Too late, too late.

 

 

 

 

SEA SONG

 

O Lord preserve

The savour of sea on her undercurve –

Anchovy, oyster, ambergris:

    And Lord deliver

    My lips to her nether

        Kiss.

 

Thine was the care

That numbered (like mine) her maidenhair

As salt as Sinbad’s beard, and fell

    Through buxom waves

    Down to her sea-cave

        Smell.

 

Thou art the Lord.

Thy finger has folded her firth or fjord

Or foamflecked loch. Oh let me be

    Leviathan

    Drinking her inland

        Sea,

 

And my devotions,

Sure as the loom of Thy woven oceans,  

For this be thus: securely glued

    Here on my knees

    Adoring her own sea

        Food.

 

 

 

 

NIGHT WIND

 

I am awake because

A night wind is bullying the house.

 

Shall I get up now

And tiptoe down?

 

Beyond the bedroom door

Dark is at home,

 

Crowds the stairs

Sits in my chairs

         

While I wait and listen

And hear a rope tighten.

 

I shall go down

Through the pool of the night-time house

 

Along the hall,

Where darkness lines the walls,

 

Where the door

Shakes to the tongueless roar,

 

Where the draught through the keyhole feels

Cold as a key

 

That I might turn

To make the wind’s insanities my own.

 

 

 

BURSCOUGH

 

What Adam of our family found this place;  

Laboured around its cage of lanes; abed,

Stretched across its fields; became

All of the local clay that made his bread;

And then was old, with rain for miles, and days  

With no one in the lane except the breeze

That bared his bones at last like winter trees?

 

How he would dream – but in the end

Was frittered into England once again.

 

                   **

You were our Adam and Eve – all foretold,

The water droplets numbered, dust motes known,    

Gestures weighted when you poured  

Light from the water jug. Such years in store

To fill with naming of a world!

 

Now one lorryload

Carries us kids, the broken home,

And you to fifty years of widowhood

Through flat Fylde pasturelands that show 

How far you came, and now must go.

 

 



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